Short film based on "What We Talk About When We Talk About Love" by writer Raymond Carver.

An industrial exploiter, an old knife thrower, a cynical professor, and an ungrateful husband depict the selfishness and superficiality of the male gender.

Poised to become one of the most successful screenwriting teams in Hollywood, Alex Kurtzman and Roberto Orci are certainly in striking position. A team who became just that after meeting in high school, they have frequently collaborated with writer-director J.J. Abrams and director Michael Bay. As a team their screenwriting credits include The Island, The Legend of Zorro, Mission: Impossible III and the upcoming Star Trek XI.

A year later the men are still talking, but this time on the 31st of December and still about the women, football, children, and, of course, about the approaching New Year’s celebration. But what can they do, if their beloved wives and girls are waiting for them at Kamil’s, busy with New Year tree decoration and cooking, and the husbands are accidentally got stuck in the advertising agency office? Will they manage to get home in time to celebrate the New Year together?

This time Lesha, Slava, Kamil and Sasha go to St. Petersburg. And three of the four do not even know why they go there. But at some point it becomes clear that it does not matter - why. It is important that they go.

Tine wants to find her dream boyfriend, but can't find him that easily. Her male best friend enjoys his single life, until they feel attracted to each other.

Tine wants to find her dream boyfriend, but can't find him that easily. Her male best friend enjoys his single life, until they feel attracted to each other.

A woman returns home with a new plant to the dismay of her partner.

Isabell Suba, ambitious up-and-coming director, has made it – one of her short films is in the line-up of the most important film festival of the world! When she arrives at the 65. Cannes film festival, she has face the accomplished facts: David, her incompetent producer, has kindly sublet their cosy joint apartment to other festival guests. The other bad news: There is not a single movie in the competition directed by a woman! This affirms Isabell’s qualms: The film business demands women to gear up instead of dressing up low cut! Moreover, the chauvinistic remarks of her comrade-in-arms David who feels comfortable around the clichéd gender stereotypes from the Stone Age seemingly prevalent in Cannes infuriate Isabell. As if this wasn’t enough already, a shattering feedback on her new film project by a potential investor finally causes her to doubt herself. Before she can live her dream up at the Olympus of film business, she must first find out who really believes in her.

Hollywood's controversial creative genius, whose career spans multiple generations of moviegoers, is profiled in "Crazy About the Movies: Dennis Hopper."